This collection is based on old Iranian stories. The main title of these stories is known as Shakrestan in Iran. But I have named my collection Shukartala, which is translated into English as gold sugar.Considering that this collection has never been displayed in the gallery.

Painter
I born in 1988 iran
Master of Painting from Shiraz Art University
1/1  Artist
Surrealism & Figurative

and a number of exhibitions ،A solo exhibition in Sarvenaz Gallery, Shiraz, entitled "We walk on our roots" 2022
Group exhibition at Diba Art Collection, Tehran 2022
Solo exhibition at Aban Gallery in Shiraz with the title Passage of 2021
Group exhibition in Didi Bahar 2021 cultural and art center complex
Search of common ground group exhibition on the transgress website in 2020
First place winner of Fars visual arts competition focusing on history and culture 2019
Group exhibition in Milad Tower, Tehran, 2018

Painter

Gold Sugar

The story of demons in Iran is an old story that is rooted in legends and real stories. The use of spells and magic, belief in demons and spirits played a prominent role in the ancients. For example, Mohammad Siah Qalam, one of the painters of the 9th century school of Herat in Tabriz, was the first to create a series of works with this theme. This idea and subject took a new form in the stories of one thousand and one nights and included many examples. This work was formed by modeling these two collections and following the mental images I could have of it. The border between reality and fantasy, truth and magic. Caught in the hands of demons.

The story of demons

(The original title of the work was: The Dictator Who Killed Me)This artwork is a protest against the death sentence ,which is unfortunately, still common in some countries. In this land, the houses are destroyed, and even the trees are not safe from the oppressors.

No to execution 

These are drawings of the human body and form.

Along with the excitement of the lines

Drawing

Everything we see or think is just a dream within a dream. (Edgar Allan Poe)
This is a set of synchronizing with the nature in which we walk, accompany and accept. The feeling of being one with it acts as a therapy in returning to oneself.This collection with the initial idea; Every human being is a tree. My works are connected with the painting of Iran's past. which in me is a kind of dependence and cultural expression that comes from the land where I live. The same paintings but without those people. Because today's and modern humans have taken the place of those humans.

We walk on our roots

This collection of figurative works is connected with Iranian culture and identity. I found the Iranian painting of the past in connection with my present figures. People in the void between the past and the future. Iranian paintings are scattered throughout the museums of the world. These works are made with acrylic material, which is a kind of modern movement of today's human species from watercolor and ink to this material in the future. Following these experiences, attention has been paid to composition, form, color, and especially gold color. This is my world. , which is depicted in the most basic human emotions.